Adventures in Classical Music—Music Appreciation for All!

Udemy

Develop an in-depth understanding of the core concepts and principles associated with classical music from the ground up.

Online

₹ 449 2899

particular

details

                                    Medium of instructions
                                    English

                                    Mode of learning
                                    Self study

                                    Mode of Delivery
                                    Video and Text Based

The Elements Of Music: Introduction To Music Appreciation

1.1 Introductory Overview
1.2 A History Of Rock And Roll, Part 1
1.3 A History Of Rock And Roll, Part 2
1.4 Elements And Rhythm

The Elements Of Music: Rhythm, Meter And Melody

2.1 Rhythm, Part 2
2.2 Compound Meter
2.3 Additive Meter And Miscellaneous
2.4 Characteristics Of Melody
2.5 Melody And Notation

The Elements Of Music: Melodic Structure; Harmony And Texture

3.1 Melodic Structure And Harmony
3.2 Harmony And Phrase Structure
3.3 Harmonic Progressions
3.4a Texture —Supplemental (Non-Musical)
3.4b Musical Texture

The Elements Of Music: Timbre

4.1 Timbre And The Human Voice
4.2 Instruments Of The Orchestra
4.3 The Young Person’s Guide To The Orchestra

The Elements Of Music: A Summary

5.1 What Is Musical Form?
5.2 A Discussion Of The Building Blocks Of Form
5.3 Bringing All The Elements Together
5.4 Ravel’s Bolero

Antiquity And The Middle Ages

6.1 Beginnings
6.2 Early Church Music
6.3 Plainchant
6.4 Dies Irae

The Late Middle-Ages And The Transition To The Renaissance

7.1 Notation And Modes; Hildegard Von Bingen
7.2 The Notre Dame School
7.3 The Late Middle Ages
7.4 A Sleeping Europe Wakes

The Renaissance

8.1 The Overtone Series
8.2 The Early Renaissance
8.3 Imitative Polyphony
8.4 The Renaissance Mass
8.5 The Reformation And Counter-Reformation

Secular Trends And Introduction To The Baroque

9.1 Secular Trends In The Renaissance
9.2 A New Style For The Madrigal
9.3 Introduction To The Baroque
9.4 Baroque Opera And A New Musical Language

The Early Baroque And The Beginnings Of Opera

10.1 Baroque Opera, Part 2
10.2 Monteverdi’s Orfeo
10.3 New Trends Of The Baroque
10.4 The Nature Of Opera

17th Century Developments And The Rise Of Instrumental Music

11.1 17th Century Developments
11.2 Musical Developments In The Middle Baroque
11.3 The Rise Of Instrumental Music
11.4 The Baroque Concerto
11.5 Bach Brandenburg Concerto No. 5

Instrumental Genres; The Fugue And The Church Cantata

12.1 Bach’s Brandenburg Concerto No. 5, Part 2
12.2 Bach And The Fugue
12.3 The Dance Suite
12.4a The Church Cantata In Germany, Part 1
12.4b The Church Cantata In Germany, Part 2

Opera And Oratorio Of The High Baroque; Transition To The Classical Period

13.1 Handel Opera
13.2 Handel Oratorio
13.3 Transition To The Classical Style
13.4 The Age Of Enlightenment

Unity And Form In The Classical Era

14.1a Unity And Variety In Poetry
14.1b Unity And Variety In Painting
14.2 Unity And Variety In The Music Man
14.3 Forms In The Classical Period
14.4 Forms In The Classical Period, Part 2

Forms Of The Classical Period; Introduction To Sonata Form

15.1 Ternary Form In Mozart’s Clarinet Concerto
15.2 Rondo Form
15.3 Sonata Form In Eine Kleine Nachtmusik
15.4 Sonata Form In Mozart’s Symphony No. 40

Instrumental Genres

16.1 The Classical Concerto
16.2 Lebrun; The Glass Harmonica

Opera According To Mozart: The Marriage Of Figaro

16.3 Mozart And Opera
16.4 Marriage Of Figaro Act 1 Se Vuol Ballare
16.5 Marriage Of Figaro Preparation For Scene Ii
16.6 Marriage Of Figaro Act I, Scene 2
17.1 Marriage Of Figaro, Preparation For Act Ii
17.2a Marriage Of Figaro, Act Ii, Part 1
17.2b Marriage Of Figaro, Act Ii, Part 2
17.2c Marriage Of Figaro, Act Ii, Part 3
17.3 Marriage Of Figaro, Epilogue

Transition Beethoven

18.1 Transition Beethoven
18.2 Introduction To Beethoven’s Symphony No. 5
18.3 Beethoven’s Fifth, Movement I
18.4 Beethoven’s Fifth, Movement Ii

Beethoven, Part 2

19.1 Beethoven’s Fifth Symphony, Movement Iii
19.2 Beethoven’s Fifth Symphony, Movement Iv, Part 1
19.3 Beethoven’s Fifth Symphony, Movement Iv, Part 2
19.4 Beethoven’s Lyrical Style
19.5 Beethoven’s Humor And Conclusions

Introduction To Romanticism

20.1 Introduction To Romanticism
20.2 Style Features Of Romanticism
20.3 Schubert And Schumann Lieder
20.4 Schumann And Chopin Piano Pieces

Hector Berlioz And The Program Symphony

21.1 Berlioz And The Program Symphony
21.2 Symphonie Fantastique, Movement I
21.3 Symphonie Fantastique, Ii, Ii And Iv
21.1 Symphonie Fantastique, V

The Miniature And Character Piece

Lecture 22.1 Chopin And Liszt
22.2 Brahms Symphony No. 3
22.3 Old And New Symphonic Genres
22.4 Tchaikovsky’s Romeo And Juliet Overture

The Emergence Of Nationalism; Romantic Opera

23.1 The Emergence Of Nationalism
23.2a Mussorgsky’s Pictures At An Exhibition, Part 1
23.2b Mussorgsky’s Pictures At An Exhibition, Part 2
23.3 Opera Review
23.4 The Barber Of Seville: A Un Dottore Della Mia Sorte
23.5 Mad Scene From Lucia Di Lammermoor
23.6 Giuseppe Verdi And Aida

Italian And French Opera; Exoticism

24.1 Aida: Final Scene
24.2 Exoticism
24.3 Bizet And Carmen
24.4 Carmen: Habanera
24.5 Giacomo Puccini
24.6 La Boheme: Love Duet (Part 1)
24.7 La Boheme: Love Duet (Part 2)

German Opera And Richard Wagner

25.1 Introduction To Richard Wagner
25.2 Wagner’s Ring Of The Nibelungen
25.3a Die Walkure Act I Excerpt, Part 1
25.3b Die Walkure Act I Excerpt, Part 2
25.4 Die Walküre, Act Iii Preparation
25.5 Act Iii Opening: The Ride Of The Valkyries
25.6 Die Walküre, Act Iii, Final Scene: Wotan’s Farewell

Wagner’s Influence

26.1a Tristan And Isolde, Part 1
26.1b Tristan And Isolde, Part 2
26.2 Schoenberg And Pierrot Lunaire
26.3 Reactions To Wagner : Debussy
26.4 Prelude To The Afternoon Of A Faun

Igor Stravinsky And Arnold Schoenberg

27.1 Igor Stravinsky
27.2a The Rite Of Spring, Part 1
27.2b The Rite Of Spring, Part 2
27.3 Schoenberg, Berg And Webern

European Modernism

28.1 European Modernism
28.2 Shostakovich Symphony No. 5, Iv
28.3 Bela Bartok’s Concerto For Orchestra
28.4 Bartok’s Music For Strings, Percussion And Celesta

Music In America

29.1 The American Scene
29.2 Charles Ives
29.3 Putnam’s Camp, Redding, Connecticut
29.4 The Unanswered Question
29.5 The Ultra-Modernists

Copland And The American Scene; Gershwin And Jazz Elements

30.1 Aaron Copland
30.2 Copland’s Appalachian Spring
30.3a Elements Of Jazz In Concert Music, Part 1
30.3b Elements Of Jazz In Concert Music, Part 2
30.3c Elements Of Jazz In Concert Music, Part 3

The American Sound; Ultra-Moderism—The Next Generation

31.1 The American Sound
31.3 Post-Modernism

Music In The Postmodern Age: Electronic Music; Minimalism And Beyond

32.1 Electronic Music, Part 1
32.2 Electronic Music, Part 2
32.3 Minimalism And Beyond
32.4 Sound Masses - Penderecki And Ligeti
32.5 In Conclusion

Popular Courses

Popular Platforms

Popular Searches

Adventures in Classical Music—Music Appreciation for All!

Online

₹ 449 2899

Quick Facts

Course overview

The highlights

Program offerings

Course and certificate fees

Fees information

certificate availability

certificate providing authority

Who it is for

What you will learn

The syllabus