Female Anatomy Sculpting in Zbrush

BY
Udemy

Gain a thorough understanding of the basic and advanced principles associated with female character anatomy.

Mode

Online

Fees

₹ 2299

Quick Facts

particular details
Medium of instructions English
Mode of learning Self study
Mode of Delivery Video and Text Based

Course overview

Nexttut Education Pvt.Ltd., an educational company aimed at offering specialized courses in CG, developed Female Anatomy Sculpting in Zbrush online certification, which is made available by Udemy and is intended for students who are looking for a comprehensive program that can help them improve their anatomy sculpting skills. Female Anatomy Sculpting in Zbrush online classes are designed to assist students to understand practical skills for sculpting female anatomy using features of Zbrush.

Female Anatomy Sculpting in Zbrush online course aims to explain the techniques and strategies used for sculpting accurate female anatomy, from the skeleton system through individual muscle sculpting to the completed character with fat and skin. This is a self-paced training program with over 38.5 hours of learning tools and articles covering a wide range of character creation topics such as blocking, sculpting, poly painting, rendering, female anatomy, female figure, and more.

The highlights

  • Certificate of completion
  • Self-paced course
  • 38.5 hours of pre-recorded video content
  • 1 article

Program offerings

  • Online course
  • Learning resources. 30-day money-back guarantee
  • Unlimited access
  • Accessible on mobile devices and tv

Course and certificate fees

Fees information
₹ 2,299
certificate availability

Yes

certificate providing authority

Udemy

What you will learn

After completing the Female Anatomy Sculpting in Zbrush certification course, students will gain an insight into the fundamentals of the female anatomy for sculpting female anatomy using tools like Zbrush and Zsphere. Students will explore blocking, sculpting, poly painting, rendering, and other aspects of sculpting female characters. Students will learn how to poly paint a female skeleton, bones, and muscles, as well as get experience drawing anatomies such as the head, chest, legs, limbs, and other body parts.

The syllabus

Introduction

  • Introduction
  • Download Resources
  • Overview of tools and workflow
  • Custom Interface overview
  • PureRef
  • Summary

Shaping the Base Mesh

  • Setting Up reference scale
  • Blocking base mesh with Zsphere
  • Refining shapes and silhouette
  • Continue refining shapes and silhouette
  • Summary

Head Anatomy

  • Sculpting the skull shape
  • Sculpting the skull shape part 2
  • Sculpting the skull shape part 3
  • Sculpting the skull shape part 4
  • Sculpting the skull shape part 5
  • Sculpting the head muscles part 1
  • Sculpting the head muscles part 2
  • Sculpting the head muscles part 3
  • Sculpting the head muscles part 4
  • Sculpting the head muscles part 5
  • Sculpting the head muscles part 6
  • Sculpting the head muscles part 7
  • Sculpting the head muscles part 8
  • Sculpting the head muscles part 9
  • Sculpting the neck bones part 1
  • Sculpting the neck bones part 2
  • Sculpting the neck bones part 3
  • Sculpting the neck bones part 4
  • Sculpting the neck muscles part 1
  • Sculpting the neck muscles part 2
  • Sculpting the neck muscles part 3
  • Sculpting the neck muscles part 4
  • Summary

Torso Anatomy

  • Blocking-out the rib cage part 1
  • Blocking-out the rib cage part 2
  • Blocking-out the rib cage part 3
  • Sculpting the scapula
  • Sculpting the Sternum
  • Finalizing the rib cage
  • Finalizing the clavicle and backbone
  • Sculpting the sacrum
  • Sculpting the Pelvis bone
  • Sculpting the Humerus bone
  • Sculpting the Rectus Abdominus muscle
  • Sculpting the external oblique (part1)
  • Sculpting the external oblique (part2)
  • Sculpting the Pectoralis Major (part1)
  • Sculpting the Pectoralis Major (part2)
  • Sculpting the Serratus anterior (part1)
  • Sculpting the Serratus anterior (part2)
  • Sculpting the Latissimus dorsi.mp4
  • Sculpting the Infraspinatus and teres muscles
  • Sculpting the Rhomboids muscles
  • Sculpting the Trapezius
  • Sculpting the Deltoids
  • Sculpting the breast axillary layer
  • Section 4 summary

Arm Anatomy

  • Sculpting the ulna and radius bones
  • Sculpting the Carpal bones
  • Sculpting the finger bones (Part1)
  • Sculpting the finger bones (Part2)
  • Sculpting the Bicep muscles
  • Sculpting the Brachialis muscle
  • Sculpting the tricep muscles
  • Sculpting the Extensor Digitorum muscles
  • Sculpting the Extensor Digiti minimi muscles
  • Sculpting the Extensor Carpi ulnaris and Anconeus muscles
  • Sculpting the Abd Pollicis Longus and Ext Pollicis Brevis muscles
  • Sculpting the Ext Carpi Radialis and Brachioradialis muscles
  • Sculpting the Ext Carpi Radialis Brevis and Ext Pollicis Longus muscles
  • Sculpting the Flex Carpi Radialis and Flex Carpi Ulnaris muscles
  • Sculpting the Flex Digitorum Superficialis muscles
  • Sculpting the Flex Digitorum Profundus muscles
  • Sculpting the Flex Pollicis Longus and Pronator Teres muscles
  • Sculpting the Adductor Pollicis muscles
  • Sculpting the Abductor Pollicis Brevis Flex Pollicis Brevis and First Dorsal
  • Finishing the Dorsal Interosseous muscles
  • Sculpting the Abductor Digiti minimi and Flex Digiti Minimi Brevis muscles
  • Sculpting the Palmaris Longus muscles
  • Section5 summary

Leg Anatomy

  • Sculpting the femur bones
  • Sculpting the Tarsal bones
  • Sculpting the Metatarsal and Phalanges bones (Part1)
  • Sculpting the Metatarsal and Phalanges bones (Part2)
  • Sculpting the tensor Fascia Lata and Gluteus Medius muscles
  • Sculpting the Gluteus maximus and Iliopsoas muscles
  • Sculpting the Vastus and Rectus Femoris muscles
  • Sculpting the Biceps Femoris and Semimembranosus muscles
  • Sculpting the Sartorius Semitendinosus and Adductor Longus muscles
  • Sculpting the Pectineus and Gracilis muscles
  • Sculpting the Adductor Magnus muscles
  • Sculpting the Gastrocnemius and Plantaris muscles
  • Sculpting the Soleus, Tibialis Anterior and Extensor Digitorum Longus muscles
  • Sculpting the PeroneusTertius, ExtensorHallucisLonus and Peroneus Brevis mu
  • Sculpting the Peroneus Longus, Tibialis Posterior and Flexor Digitorum Longus
  • Sculpting the Extensor Digitorum Brevis Abductor Hallucis and Abductor Digiti
  • Section 6 summary

Sculpting the Female Figure

  • Sculpting the base mesh (part 1)
  • Sculpting the base mesh (part 2)
  • Sculpting the base mesh (part 3)
  • Sculpting the base mesh (part 4)
  • Sculpting the base mesh (part 5)
  • Sculpting the base mesh (part 6)
  • Mesh cleanup with Zremesh (Part 1)
  • Mesh cleanup with Zremesh (Part 2)
  • Refining the base mesh (Part 1)
  • Refining the base mesh (Part 3)
  • Refining the base mesh (Part 4)
  • Refining the base mesh (Part 5)
  • Refining the base mesh (Part 6)
  • Refining the base mesh (Part 7)
  • Refining the base mesh (Part 8)
  • Sculpting the skin details (Part 1)
  • Sculpting the skin details (Part 2)
  • Sculpting the skin details (Part 3)
  • Sculpting the skin details (Part 4)
  • Creating eyebrows
  • Creating eyelashes
  • Creating hair (Part 1)
  • Creating hair (Part 2)
  • Creating hair (Part 3)
  • Creating the Clothes (Part 1)
  • Creating the Clothes (Part 2)
  • Creating the Clothes (Part 3)
  • Creating the Clothes (Part 4)
  • Section7 Summary

Poly painting and rendering

  • Poly paint the skeleton (Part 1)
  • Poly paint the skeleton (Part 2)
  • Poly paint the muscles (Part 1)
  • Poly paint the muscles (Part 2)
  • Poly paint the muscles (Part 3)
  • Poly paint the figure
  • Posing the figure (Part 1)
  • Posing the figure (Part 2)
  • Posing the figure (Part 3)
  • Lighting and rendering the figure (Part 1)
  • Lighting and rendering the figure (Part 2)
  • Lighting and rendering the figure (Part 3)
  • Lighting and rendering the figure (Part 4)
  • Lighting and rendering the figure (Part 5)
  • Lighting and rendering the Ecorche (Part 1)
  • Lighting and rendering the Ecorche (Part 2)
  • Lighting and rendering the Ecorche (Part 3)
  • Lighting and rendering the Ecorche (Part 4)
  • Lighting and rendering the Ecorche (Part 5)
  • Section 8 Summary

Conclusion & Wrap up

  • Conclusion & Wrap up

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