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Medium Of Instructions | Mode Of Learning | Mode Of Delivery |
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English | Self Study | Video Based |
Courses and Certificate Fees
Fees Informations | Certificate Availability | Certificate Providing Authority |
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INR 1000 | yes | IIT Kanpur |
The Syllabus
- Changing definition of Folk and Minor Art
- Timeline and Regions: General Mapping
- Traditional Roots: Elements and Principles
- Timelessness: Primitive Connection
- Evolution in Purpose: Ritualistic to Propagative
- Contemporary Practice
- Classification and Connections: Traditional Roots
- Available literary recourses
- Mythical Associations
- Idea of Nationalism in the Context of Folk art
- Idea of Modernism In the context of Folk Art
- Relevance of the Art Practice
- Contextualization and Decontextualization
- Concept of Communication for Social Purpose
- Aesthetic Perspective
- Secularity and Religious Plurality
- Ethnographic perspective on the study of Folk Art and Culture
- About the Exponents who brought the culture under the limelight
- Contextualization and Decontextualization
- School of Art in Madhubani Painting
- Art as a Feminine Preserve vs the Male painters of Madhubani
- Yamapata, Pytkar and other art practice of Jharkhand Yamapata by the Jadopatias
- Sohari Painters and their Art
- Patachitra of Bengal and Odisha
- Continuum of the Practice: Ancient Centres and Contemporary
- Case study 1 Stylistic Variety in Bengal
- Case study 2 Stylistic Variety in Odisha
- Case study 3 Stylistic Variety in Andhra Pradesh
- Exponents and their Contributions
- Hypothesis on Possible Stylistic influences
- Characteristics of Contemporary Collection
- Thematic Analysis
- Iconic Analysis
- Semiotic Analysis
- Effect of narratives: Qualitative Evaluation
- Individual Expression in Contemporary Art
- Cultural Condition: Colonial and Post colonial Ideologies
- Social Formation during Preindependence
- New Aesthetics: early Prints and Battala Prints
- Artist Block Makers and Hybrid Aesthetics of Urban Folk Art
- Kalighat Painting to Haripura Posters: A synergy
- Jamini Roy: Accommodating Vernacular Idiom in Academic Practice
- Coexistence and Collaborations with Mainstream Art
- Strategies for Future and Sustainability: Vision and Revision
- Alternative Context: place of folk art in Contemporary Lifestyle
- Ancient literary sources and canonization: Scholarly Comments
- Need of Paradigm Shift
- Conclusion
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